好色先生

Kimberly Huth received her M.A. and Ph.D. from the University of Wisconsin-Madison. Her specialties include Shakespeare, Renaissance literature, drama, poetry, and critical theory. Her research examines the intersection of personal, embodied experience and social life in early modern literature and culture; the representations of pain and violence on the stage; and definitions of genre in the Renaissance. Her work has appeared in Cahiers 脡lisab茅thains, Studies in Philology, Renaissance Drama, The Sixteenth Century Journal and Renaissance and Reformation.

Selected Recent Publications

Discharging Pistols at the Sky: Violence and its Failures in Arden of Faversham.鈥� The Sixteenth Century Journal vol. 50 (2019) (forthcoming).

Review of Shakespearean Intersections: Language, Contexts, Critical Keywords, by Patricia Parker. Journal of British Studies 57.4 (October 2018): 865-866.

Figures of Pain in Early Modern English Tragedy. Renaissance Drama 42.2 (Autumn 2014): 169-190.

Have Not They Suffer'd? Pain and Comedic Structure in Shakespeares The Merry Wives of Windsor. Cahiers 脡lisab茅thains 82 (Autumn 2012). 11-19.

Come Live with Me and Feed My Sheep: Invitation, Ownership, and Belonging in Early Modern Pastoral Literature. Studies in Philology 108.1 (Winter 2011): 44-69.

Selected Recent Presentations

Graduate Seminars Taught:

• ENG 535
  Pain and Violence in Renaissance Tragedy
  Renaissance Poetry: Tradition and Innovation
  Shakespeare: Cognition, Sensation, Emotion
  Practicum in Renaissance Literature: Women's Textuality