好色先生

Andrew Kalaidjian received his Ph.D. in English from the University of California, Santa Barbara. His research and teaching interests include: 20th and 21st century British and Global Anglophone literature, environmental history, spectacle and technology. He is the author of published in 2020 by Cambridge University Press. His writing has appeared in , , , , and the .

Selected Recent Publications

鈥淭he Spectacular Anthropocene.鈥� Angelaki 21.4 (Fall 2017): 19鈥�34.

鈥淭he Black Sheep: Djuna Barnes鈥檚 Dark Pastoral.鈥� Creatural Fictions: Literary Engagements with Species Difference. Ed. David Herman. New York: Palgrave Macmillan, 2016.

鈥淪ynge and Synge: Science and Irish Modernism.鈥� Modernist Cultures 10.2 (July 2015): 178鈥� 200.

鈥淧ositive Inertia: D. H. Lawrence and the Aesthetics of Generation.鈥� Journal of Modern Literature 38.1 (Fall 2014): 38鈥�55.

Selected Recent Presentations

鈥淭he Hardest Task: Reconsidering Lawrence鈥檚 Rhythmic Work Ethic.鈥� The D.H. Lawrence Society of North America. MLA Convention. Chicago, IL, Jan 4鈥�9. 2019.

鈥淓urope鈥檚 Witchy Future.鈥� The International Robert Graves Conference. Palma, Mallorca, July 10鈥�14, 2018.

鈥淓ngland, England and the Astonishing Anglocene.鈥� Modernist Studies Association Annual Conference. Amsterdam, August 10鈥�13, 2017.

鈥渘either water nor earth: The Yellow Pine in As I Lay Dying.鈥� The Faulkner Society panel on Posthuman Possibilities, 2016 MLA Convention, Austin, TX, Jan 7鈥�10, 2016.

Undergraduate Courses Taught

• ENG 304: English Literature, 1832-present
• ENG 305: Critical Reading of Literature
• ENG 325 Poetry
• ENG 335: World Literature
• ENG 347: Literature of Ethnicity and Gender

Graduate Seminars Taught:

• ENG 545: Literary Criticism, World and Text
  ENG 549: Global Ecologies, Vital Modernism